Active Outline
General Information
- Course ID (CB01A and CB01B)
- MUSI D050A
- Course Title (CB02)
- Conducting I
- Course Credit Status
- Credit - Degree Applicable
- Effective Term
- Fall 2022
- Course Description
- This course is an introduction to the art and craft of conducting. Students explore the use of batons as well as rehearsal and performance techniques. Students work with vocal and instrumental ensembles. This course is open to students interested in pursuing studies in conducting and conducting professionally. Students should be experienced, ensemble performers.
- Faculty Requirements
- Course Family
- Not Applicable
Course Justification
The course offers basic instruction in and practical experience conducting vocal and instrumental music ensembles. The course is CSU transferable and belongs on the AA Music degree.
Foothill Equivalency
- Does the course have a Foothill equivalent?
- No
- Foothill Course ID
Formerly Statement
Course Development Options
- Basic Skill Status (CB08)
- Course is not a basic skills course.
- Grade Options
- Pass/No Pass
- Repeat Limit
- 0
Transferability & Gen. Ed. Options
- Transferability
- Transferable to CSU only
Units and Hours
Summary
- Minimum Credit Units
- 1.5
- Maximum Credit Units
- 1.5
Weekly Student Hours
Type | In Class | Out of Class |
---|---|---|
Lecture Hours | 1.0 | 2.0 |
Laboratory Hours | 2.0 | 0.0 |
Course Student Hours
- Course Duration (Weeks)
- 12.0
- Hours per unit divisor
- 36.0
Course In-Class (Contact) Hours
- Lecture
- 12.0
- Laboratory
- 24.0
- Total
- 36.0
Course Out-of-Class Hours
- Lecture
- 24.0
- Laboratory
- 0.0
- NA
- 0.0
- Total
- 24.0
Prerequisite(s)
MUSI D020. or equivalent
Corequisite(s)
Advisory(ies)
Limitation(s) on Enrollment
Entrance Skill(s)
General Course Statement(s)
Methods of Instruction
Individual and group work
Demonstration
Discussion and problem solving performed in class
Homework and extended projects
Performance
Assignments
- Weekly reading and conducting assignments
- Daily practice of conducting techniques
- Final song analysis, presentation to ensemble, rehearsal, and performance
Methods of Evaluation
- Reading and conducting assignments evaluations based on the ability to synthesize various concepts
- Successful completion of conducting assignments through in-class demonstration
- Conduct final song (or portion of a large work) in concert - as part of ensemble quarterly public performance
Essential Student Materials/Essential College Facilities
Essential Student Materials:Â
- Conductor's baton
- Pitch giving device
- Rehearsal room with good acoustics and plenty of space.
- Music stands and movable musician's chairs
- Well-tuned piano or electronic keyboard
Examples of Primary Texts and References
Author | Title | Publisher | Date/Edition | ISBN |
---|---|---|---|---|
Green, Elizabeth A.H., and Mark Gibson | The Modern Conductor (7th edition) | Englewood Cliffs: Prentice-Hall, Inc. | 2003 |
Examples of Supporting Texts and References
None.
Learning Outcomes and Objectives
Course Objectives
- Summarize the different roles of the conductor
- Demonstrate mastery of basic manual conducting techniques
- Analyze basic principles of conducting
CSLOs
- Describe the role of the conductor and demonstrate proper posture and baton technique
- Conduct basic beat patterns and master conducting (right) hand technique
Outline
- Summarize the different roles of the conductor
- Leadership and Management
- Good posture and hand position
- Comfortable baton technique
- Circular hand motion and basic pulse
- Connection of breath to tone production
- Demonstrate mastery of basic manual conducting techniques
- Preparatory beat
- Setting the tempo
- Stopping the sound (cutoff)
- Basic time beating patterns (2, 3, 4)
- Ictus
- Analyze basic principles of conducting
- Psychological conducting
- Seating charts for rehearsal
- Basic conducting terminology
- Instrumentation
- Form
Lab Topics
- Conduct music in a rehearsal setting
- Practice conducting various beat patterns